A Week in Writing #623 - Report From the Front: San Diego Comic-Con 2026

Hope everyone is staying safe, and, of course, writing.

As promised, this is coming to you a day late. We did arrive back yesterday from San Diego Comic-Con, but I wasn't really at my best to tell you everything or really anything.

While I did attend several panels, at least one a day, several of them didn't live up to their titles nor did they really apply to what I'm trying to do. You go into them, hoping to be inspired by the muses, but many tines you only come away with the bios of the muses instead.

The first one I attended was:

How to Get Press Coverage - July 22
Moderator: Rik Offenberger
Alexander Raymon
Francis Sky
Ed Catto
Chris Squire
Todd Spear

I've been to this panel for several years, but it doesn't hurt to get a refresher every year.

A press release for an issue needs to include a cover, what it is about, and when is it coming out. But you need to sell the story of how you got there.

They also dealt with getting your book in retail stores, so in that case you're first marketing to the retailer and then marketing to the consumer. (Note: The how you do that is not addressed.)

They also suggested a way to get publicity is to do an event for charity or a public library and try to get the local press interested in it. If you can get news coverage, like your local network affiliate, you can use that clip in other ways down the line.

It was also said that when you table at a comic convention, you need to show passion for your product. One way to do that is to stand up at the table the whole time. That way you can engage with people.

Build Your Own World and Intellectual Property - July 23

Moderator: Lorran Garrison

Britton Payne

Tara Harrison Avery

Mark Nazal

Quinn McGowan

John Jennings

This, I'm sorry to say, was the least useful of the panels. Again, it wasn't a how-to discussion but rather the personalities and whom they were trying to represent with their creations. There are a lot of niche markets in comic books and the panel represented those. I was hoping to learn how to build a world rather than knowing what others had built.

Pitching Animation in 2026: What Buyers Want Now - July 24

Moderator: Sam Goff

Malia Dawkins-Jennings

Patrick Stou

Bill Drasta

David Trumble

John Rauschelbach 

Since Sam Goff is a talent manager, it should come as no surprise that the panelists were her clients.

They did emphasis that if you're not in the animation business, you're going to need at least one of the following to get into to pitch:

An agent

An Entertainment Attorney

Manager

This was a fast-paced panel using slides that they informed us we should take photos of, so it was hard to do that and take notes, so I'm going to show photos. Apologies for being over to the side of the screen and for the woman's hairdo being in some of the photos, but I hope these will help.

These are the slides from one pitch deck presented:

There will be two distinct pitchdecks. One that you will use for the demo and one to leave behind. They're similar, but the leave behind one should include contact information.

Also, while the presenters were good, they never said if any of the projects they presented were picked up.

The Future of Kickstarter Comics - July 25

Moderator: Chris Hacker

Sean Edgar

Jeff Smith

Eric Powell

John Layman

Rob Guillory

Natalie Andrewson

A bit of a misnomer, as this was not the future of comics on Kickstarter, but rather a panel of established artists and creators discussing their next projects or how they've used Kickstarter in the past. Sean Edgar is noteworthy as he is the new director of comics and collectibles at Kickstarter. Very entertaining but not very informative on what is happening next on the platform.

The Dos and Don'ts to Kickstart Your First Comic - July 26 

Moderator: Barbra Dillon

Shannon Bailey

Ash Troub

Kat Calamia and Phil Falco

Sean Edgar

Even though I have done two successful Kickstarters, I'm no expert, so I was hoping to learn here. However, these are not first-timers at this and since Shannon and Ash represent major brands, Todd McFarlane and Boom!, respectively, they aren't coming at this proces as unknowns. Kat and Phil are very savy at Kickstarters, doing, at their own admission, 2 to 3 a month, however, they have also garnered a niche market with LGBTQ works.

To be transparent, we have had Kat on our podcast, backed one of their Kickstarters and even hired her to advise on our second one with Arthmeric. Still, I'm a little off put by their constant Kickstarters, which all, to their credit, seem to be very successful. I'm just not into Kickstarters as a way of life.

Still, their advise would mean slightly more than the others, since they are in the same field as Powers Squared., indie comics. They were high on women-led stories and horror, two things our book is not about.

General advice:

Don't Over Promise and Under Deliver

Simplify Your Page

Use Graphics to Know What They're Getting

Have Preview Pages and Covers

Make Sure Your Thumbnail is Good (You can also change it during the Kickstarter)

Add a video to your Kickstarter, 1-2 minutes. (According to Edgar, Kickstarters do better with one)

Add a pre-launch page 2 weeks to a month ahead. The length of time varies, but you don't want to have one for six months, as it will go stale.

Don't start one around Christmas or January.

According to Edgar, October is "On Fire"

Launch early in the week: Monday or Tuesday, and early in the morning, but not midnight

You can add add-ons and stretch goals as the project moves forward.

On the personal side, we were able to meet our fourth colorist in person for the first time ever. Ninakupenda Gaillard was an Eisner Award nominee for Best Coloring for Chickenpox written by Remy Lai (Henry Holt Books for Young Readers). We're very proud to have been her starting point in professional coloring.

Powers Squared creators, Trevor, Paul and David Hankins meet Eisner-nominated
and former Powers Squared colorist Nina Gaillard at SDCC 2026.

Speaking of Powers Squared colorists, our current and longtime one, Julia Canon, took over our podcast for the week, and on Friday did a two+ hours presentation on her techniques. You can watch it on our twitch channel for the next few days, listen to it here or watch it on our YouTube channel any time after Wednesday at 2:30 pm. Many thanks to her. 

Speaking of On the Air with Powers Squared, we tried to line up some new guests while in San Diego, but until they're confirmed, we won't divulge names. No reason to needlessly get your or our hopes up.

Oddly enough, while SDCC didn't grant us a table, we did manage to sell two trades, thanks to the San Diego Comic Fest table in the mezzanine. At the News Coverage panel, a representative from the Comic Fest asked if anyone had books they wanted to present. I had taken our four trades (3 Powers Squared and 1 The Blade of Miracles) with me and let them use them. When I went back up to take a photo, two of them were gone, even though it wasn't supposed to be a sales opportunity.

There were four trades on the table when I left, but only two when I returned.

On a personal note, I walked over the five days, including Preview Night, 82,537 steps (36.88 miles) and burned 18,255 calories.

Work continued without us on the new issue of Powers Squared, as our artist submitted two new pages (19 and 20) for review.

I also did some writing on a possible script for our spinoff story, Billy and Raven. It needs more work, but I got it from concept to 20 pages.

Even though we were out of town, there was a new Saturday Morning Review on Trophy Unlocked, John Wick: Chapter 4 written by Paul, continuing our summertime look at the franchise. No new review from me this week.

This next week, I need to work on the newsletter and questions for our next guest on the podcast.

That about does it for me. Keep writing and I'll see you back here next week.

A Week in Writing #588 - Blame it on the Contract

Hope everyone is staying safe, and, of course, writing.

This week was mostly spent in reviewing an artist contract for our "new" artist. There was some back and forth with the lawyer and I wanted to make sure everyone on our side was happy with it. You might not think it would be that big of a deal, but it does take time. It started when I wanted to be sure the new contract took into account AI and the lawyer went on from there. At this point, it's close and I want this to be over, so we can get the artist working.

In other Powers Squared  news, we were notified on Friday that we're waitlisted for San Diego Comic-Con 2026. Hopefully, we'll get in and get more than three weeks of a heads-up.

We also shot our podcast a day early, so that took Thursday night away as well. The podcast was to provide Trevor with the chance to preview the new issue of his book, The Blade of Miracles, "Mordred, Part 2." The 9th issue drops on the Wednesday before Thanksgiving and will be available in both print and digital at The Campus Store on our website.

Because we pre-recorded the podcast, the easiest thing would be to stream the recording on time, but I managed to mess that up, so it went out about 15 minutes late. Still, you can watch it on our twitch channel for the next few days, listen to it here or wait until Wednesday at 2:30 pm and watch it here.

My review of The Big Steal went up on Trophy Unlocked as part of our celebration of Noirvember. Paul's review of Shantae Advance: Risky Revolution  for the Game Boy Advance went up as the Wednesday Game Day review. Trevor's review of Thus Spoke Kishibe Rohan: At a Confessional went up this morning. This was a film that we watched on Friday night. We did watch a movie on Saturday night, The Lost World (1925), but since most of us fell asleep during it, I don't think I'll be reviewing it. I'm still working on The Batman serial and Heroes for Sale, so I've got my hands full at the moment.

The way the week went meant I didn't get much of a chance to work on Blackmail this week, so we're standing still at 66,618 words.

As I'm sure everyone is aware, this next week includes the Thanksgiving Day holiday, which means there will probably be no writing on either Thursday or Friday. I aslo realize that sooner than later, I'll have to work on the next newsletter but luckily the first Sunday of December isn't until the 7th. So, I'm going to apologize now if my output isn't up to expectations for the next few weeks, though I want to get going again with Blackmail.

Well, that about does it for me. Keep writing and I'll see you back here next week.

A Week in Writing #571 - Report From the Front: San Diego Comic-Con 2025

Hope everyone is staying safe, and, of course, writing.

I know this is a day late but we didn't get home from San Diego Comic-Con until about 10:30 on Sunday night and I was in no shape to be doing much other than eating, unloading and sleeping.

For the first time ever, SRCC Press (Powers Squared and The Book of Miracles) tabled at San Diego Comic-Con. As I believe I mentioned in an earlier post, we didn't know we would be tabling until July 3rd at 6:30 pm, so it gave a little less that three weeks to pull everything together. If we had had more time, we might have ordered different things, like a table runner for SRCC Press and maybe a banner for The Blade of Miracles. But we had to make do with what we had, though we did order some more trades and copies of issues to have on hand.

We went down on Tuesday to set up at the Convention Center. Things went surprisingly easy as far as that went. While Paul and I were officially the exhibitors, we were able to have my wife, and Trevor, help us set up the table.

Doing that then, freed up Wednesday, so we could wander around the Gaslamp District and see the installation of the installations. I guess I never realized they were ready so close to the start of the Con. Preview Night is a different experience when you're behind a table. As soon as the doors open, there is a mad dash for exclusives. Since we had no exclusives, business was slow, though we did sell one copy of Issue One.

I won't go through each day, but it was safe to say, even though this wasn't a money-maker, we did far better than LA Comic-Con and Wonder Con combined. We were hindered by the short lead time (we didn't make the printed program) and by a neighboring table, which not only partially blocked us from view, but also attracted enough of a crowd that further blocked us. However, some people did find us.

We sold about 8 times as much as we did at WonderCon, which is a nice trajectory to see. We had one customer come by and after hearing my spiel, bought the first five issues, and then she came back later that evening to buy the other 20 issues. That was 25 issues in one day, which is definitely a record for us. Also a record, 17 new names signed up for our mailing list.

On another day, someone bought the run for The Blade of Miracles, which currently has five issues out. Our overall take, which is paltry, was still about 3.5 times what we made at WonderCon.

You can see photos from SDCC 2025 on our website at https://powerssquaredcomicbook.com/events.

Since we were gone on Friday, artist Julia Canon took over as host of the podcast, On the Air With Powers Squared, and one of her guests is me, live from the floor. She also shows how she colors Power Squared. You can watch it at twitch.tv/powerssquared. You can listen to it on our website here or watch it on Wednesday after 2:30 pm here.

And just because we were away, that doesn't mean things came to a stop on Trophy Unlocked. With the new Fantastic Four opening on Friday, we went old school with a review (a second look) at the last version of the story, Fantastic Four (2015).

This was nearly a week without any writing from me. I did manage a little work on Blackmail, so I'm at about 50,160 words, which is good, but I'm far from through with the story.

And, it should go without saying, no new queries from me.

This coming week will involve adding all the names on our sign up sheet, writing the newsletter and getting everything put away.

Well, that about does it for me. Keep writing and I'll see you here next week.

A Week in Writing #515 - The Artists Takeover

Hope everyone is staying safe, and, of course, writing.

We're a day late since I was driving most of Sunday. Too tired to really think much after 9+ hours behind the wheel. I have to give longhaul truck drivers credit, as I don't think I could ever do that.

Thanks to the artists, both past and present, for taking over our podcast in our absence. They decided to do a tier list of the characters from Powers Squared (there's a tab on the home page) if you want to play along. You can watch them on Wednesday at 2:30 pm on our YouTube channel. The audio is coming to https://powerssquaredcomicbook.com/oaps. Not sure I 100% agree with their ratings and am proposing the creators of the book do one of our own.

We're trying to map out podcasts for the month of July, and the artists will return at the end of the month, when we're off at San Diego Comic-Con. Speaking of which, last week, I heard from SDCC about tabling for this year's show (I was on the waiting list). As great an opportunity that would have been, I'm not prepared enough for that show, so I had to respectfully decline the last minute offer. Perhaps I would have been more ready to go if we had tabled somewhere before, but I'm not even sure I have everything I'll need and don't want to blow the opportunity by not being ready for it (and the additional costs associated with it as well).

Part of what I want to learn about tabling, for LA Comic-Con is, hopefully, going to come from speaking with small press exhibitors at SDCC. They are, hopefully, in the know and we can get advice before ordering our books. If the opportunity comes up next year, we'll be ready or at least better prepared to go from standing still to the big show.

Speaking of Powers Squared, we had a nice feature in the patreon magazine Mystic Mind #10 from Kirin Comics. I responded to a post, I believe on Facebook, looking for indie comics looking for publicity and we were selected. I'm told we will be considered for a Reader's Choice at the end of the year. You can support them at https://www.patreon.com/kirincomicstuff. If another way comes up to get the magazine, I'll be sure to let you know.

No new reviews from me this week, though my review for American Graffiti was the Saturday Morning Review on Trophy Unlocked. Next month, though, July, will be devoted exclusively to X-Men and Deadpool. If you've been reading along, you know that we've been watching all the X-Men franchise films, including Deadpool, now that all pays off. So, keep checking for the first of 15 reviews, including a Deadpool video game and, of course, Deadpool & Wolverine, which will conclude the month. The movie, unfortunately, opens during Comic-Con, but we've reserved seats for the 29th, so it will be reviewed as promptly as possible.

Travelling Friday to Sunday and prepping for that trip, unfortunately, took a hit on my output this week. I did work some on Skylar and feel like I'm finally getting to new parts of the story. I've already mapped out an ending, but there are still several steps before I get there.

Well, that about does it for me. Keep writing and I'll see you back here next week. Happy Fourth of July!

A Week in Writing #412 - New Issue Coming Out

Hope everyone is staying safe, and, of course, writing.

Let's start with Powers Squared. We have a new issue coming out officially on Wednesday, July 13. It's #13, The Imposter Part 1. Just when relationships appear to be pulling Marty and Eli apart, someone on campus tries ruining Marty's reputation by impersonating him. Who could it be? Find out on Wednesday. The issue and where to buy it can be found at The Campus Store. As they become available, there will be links to where it can be purchased both physically and digitally. There is also some new merch as well that I'm excited about, some chibi t-shirts, and a new poster, again, links at The Campus Store if you're at all interested. I'd love it if you were.

In addition to that, we're also releasing a short character video - Who is Pedro? He's a character that is introduced in this story arc and plays a big part in the story. You can watch it here on Wednesday morning.

On our Friday podcast, we talked about the new book but Paul also discussed the passing of Kazuki Takahashi, the creator of Yu-Gi-Oh!, and what the manga, anime, and games have meant to him. And, surprisingly, how it influenced an issue of Powers Squared. That also goes up on YouTube on Wednesday afternoon and can be watched here when it does.

Otherwise, it's been rather slow on the comic book front, nothing new, so far, from our artist or colorist, at least not this past week.

On our horizon is San Diego Comic-Con. No table this year, though we did apply, there was no room. We'll try again next year if there is one. I don't mean to sound cryptic but I'm not hundred percent sure this year is going to happen, what with COVID numbers rising. I believe it will but I am sort of nervous about being in a room with 160,000 of my closest friends. Can anyone say "super spreader event"? We're taking precautions but it is always in the back of your mind.

Just as an editor's note: I don't envision doing this blog on the Sunday night we get back. However, I will do it on that Monday, as a Report from the Front. I will be attending some panels about writing and comic books and I will share what I learn here, but you'll have to wait.

Did get some time working on fka Skylar this week. I've been moving around some things and have some, of what I consider, to be really good ideas for how it will end; I just got to get there. But I do want to report, time was spent on the project.

Another query this week for Broken People. I did DNR one of my queries since I never did hear back but otherwise it has been radio silence from the agents so far. This is, of course, the new normal so I feel like I have Schrodinger's query until either the time passes or I hear back.

Finished a new future review for Trophy Unlocked. This one is for a less than cheery Christmas movie, The Cheaters (1945), part of our Drain the DVR campaign. I guess this caught my eye last December. I know, the title alone really makes you think about the holidays. Not sure when this one will appear. We seem to be overwhelmed with Christmas movie reviews and there are only so many weeks in December.

We did manage to cut into our backlog this week with the Saturday morning review being Paul's review of Mickey's Christmas Carol. As I wrote on Facebook, blame Hallmark for making Christmas in July a thing. We're just trying to keep up, that's all. Wednesday's Game Day review was Trevor's review of Kao the Kangaroo (2022).

Well, I think that just about does it for me. Keep writing and I'll see you back here next week.

A Week in Writing #401 - Funded, Now What?

Hope everyone is staying well, and, of course, writing.

Well, the Kickstarter funded with days to spare; whew! I will admit I don't enjoy the process, as I've detailed in the previous posts during the past month. Often frustrating, we did finally get over the finish. If anyone reading this took the hint and backed us, I want to thank you. As a writer, I want people to want to read what I write. I'm not doing this blog for the heck of it (more on that later). I have goals, just as everyone does, and I consider Powers Squared a brand I helped to create, and as such, I want people to read it.

I'm not quite ready to do a post-mortem on the Kickstarter, I'll actually wait until it has finished before I do that.

Back to the more on that later bit from above. On our podcast, On the Air with Powers Squared, we had as our guest Doug Neff, the moderator of San Diego Comic-Con's Comic Creator Connection and the author of Epic Win! The Geek's Guide to the Journey from Fan to Creator. You might not realize it, dear reader, but that book was responsible for this blog. In it, Doug talks about building a team to help you with your creativity. Sadly, I didn't have a team like he described. I feel like I'm self-motivated but I didn't have a coach, someone to make sure I was trying to reach my goals. So, I hit on the idea of making the internet my coach, so I started this blog to keep me accountable.

Paul and I had also been through the Comic Creator Connection several times and even though we never were able to make a lasting connection with an artist there, we still kept up with Doug and his husband, Corey, and try to be sure to see them at every con we both attend.

If you're curious about what we talked about, you can listen to it on the Powers Squared website: https://powerssquaredcomicbook.com/oaps, or on Podbean, Apple Podcasts, Spotify, Google Podcasts, Amazon Music, Tune In, and our LinkedIn page. And coming up on Wednesday the 27th, you can watch it on YouTube at https://youtu.be/ojBM-Cj0q1w but you'll have to wait.

Big week for Trophy Unlocked with three reviews published. Wednesday/Game Day featured Paul's review of the videogame River City Girls. The Saturday Morning Review was Paul's review of Spider-Man: No Way Home. Today (Sunday) the third review went up, Trevor's review of the just-opened The Bad Guys. Not to be outdone, I wrote on for The Batman, which we watched on Friday night but mine will wait for the appropriate time when the blog does a spotlight on Batman. Of course, I'll let you know when it goes up.

After finally getting to the chapter I've been wanting to write for fka Skylar, I've continued working on it more though it never seems to be enough. It's never enough. I'm up to 34,585 words at present with many more to go.

No new queries this week. I think I ran out of steam on Thursday night. It's a window that if I miss it, I'm afraid I miss it. Coach, I'll do better next week.

Well, that seems like a good place to stop. Keep writing and I'll see you again next week.

A Week in Writing #363 - Recovering from Comic-Con@Home

I hope everyone is staying safe, staying well, and is, of course, writing.

Usually following Comic-Con I go through a slight depression. I don't mean that I get clinically depressed or anything like that but that after five days of living the dream, the reality of life sort of sucks. When you do Comic-Con from home it's not quite the same thing, so getting back to reality isn't as jarring.

My excuse this week for not sending any queries this week is that Thursdays, the night I try to send them out when I do, was also my wedding anniversary and even though ours was a home-bound celebration, I didn't have the time or inclination to send them that night.

With that out of the way, let's get on to what I did do, which includes getting back to Skylar, my oft written about but little worked on current novel. There were a couple of days this week that I did get  1000 words plus written. There is a change that I want to make to the story but I'm going to wait until I get through a complete draft before making it. But I'm feeling good about it.

I started a new review that I'll try to finish tonight for Big City Blues (1932). My review of Downstairs (1932) was this week's Saturday Morning Review on Trophy Unlocked. Prior to that on Wednesday, it was Paul's review of the video game The Mummy Demastered for the PS4.

On to Powers Squared. This week, we finally worked out the pencils for pages 5 through 8 and we should be receiving the inks any day now. This has been a surprisingly difficult issue though I don't think it has anything to do with our artist, who seems game to go through multiple versions so we can get what we're after.

We did two podcasts this week. On Thursday, we shot our 100th episode of On the Air with Powers Squared, interviewing Carla Hoch, the author of Fight Write, a book written to help writers with fight scenes in their books. I think it was a great interview and I encourage you to watch and/or listen to it when we release it on the 6th. We had met Carla at the Writer's Digest Novel Writing Conference in 2018, which seems like a decade ago, and she was nice enough to be our guest.

On Friday, we did our usual live OAPS podcast, with Trevor as a guest. We talked about Comic-Con@Home and our impressions of the virtual event.

I'm hoping that this month we concentrate on two things. One is the cover and back for the BD that will be a part of the Artithmeric-sponsored Kickstarter, which is scheduled for October. We've done some preliminary work on the front cover with Rachel and discussed an idea for the back but I'd like this to be a priority.

The other is for Paul and I to work on the Pitch packet for Powers Squared that we've been kicking around since before the pandemic. I'm hoping we can put it together and get it done.

Well, that about does it for me. Keep writing and I'll see you next week.

A Week in Writing #361 - I Miss Comic-Con - Report From the Front

Hope everyone is well, staying safe, and, of course, writing.

Every year for the past 12 or so, my family and I have made the trek to San Diego for Comic-Con. What started out as a bit of a lark, hey let's check this out after Legoland, has turned into an annual event and led us to co-create our own comic book, the oft-written about Powers Squared, which has, in turn, led to things like Podcasts, mailing lists, and newsletters, which, if you've read more than one of these posts, have read me writing about more than once.

As part of our yearly trek, I write a Report from the Front, where I detail what I did and what I learned. No doubt, you're aware, that for the second year in a row, the actual event has been canceled and has continued as a website linking you to Exhibitors to buy exclusives and YouTube where the panels take place. So, the front lines are as close as my couch.

Over the years, as we've gotten more involved in the business side of comic books, I've tried to make a point of attending more practical panels, i.e., those that teach rather than hype. (Note: If you've never been to SDCC before, there is a lot of hyping going on. Constantly.) This year, there were fewer days, from five to three plus the random program on Wednesday and Thursday, so there were fewer panels to watch.

If you're like me and you've been working from home during the pandemic you've probably been on a few Zoom calls that you simply watched, i.e., it hasn't been interactive. And imagine if the Zoom call you were watching was pre-taped. If you can do that, then you've had the Comic-Con@Home experience. As exciting as a pre-recorded conversation that you're not a part of, which is often to be applied sarcastically.

Now, a few panels have had some production values but I would put those under the category of hype; Unmasking Snake Eyes: G.I. Joe Origins on Wednesday and the Dragon Ball: Special Panel are examples.

But for the most part, the informational ones seemed more like work than anything else. And I know that whoever puts together the panels usually brings together people they've worked with before, but sometimes you can overdo it when three-quarters of the guests work on the same podcast for example. You're not really getting a universal lesson when everyone has the same experiences.

We watched panels on podcasting and branding, but I don't really think I learned anything new from either. The one overriding truth seems to be that no one makes money on podcasts or comic books but you do it for love. The other is that if you do work in the industry, you have to be two of the three: nice to work with (not an asshole), talented, and meet your deadlines. There, I saved you three days of video watching. You're welcome.

I know this is meant to mostly be about Comic-Con@home, but I did want to give you an update on a query. No, not a new one, and not good news either, but a rejection. One of the queries I made back in April was finally officially resolved, about a month after I gave up on it. The agency said that they take 8 weeks to reply to queries so I took that to mean a pass at the end of June. However, 8 weeks can apparently mean 12 weeks because I received a form letter rejection at 2:33 a.m. on Sunday morning.

Again, this blog isn't here to settle scores but it doesn't get more impersonal than a form letter sent at 2:33 on a Sunday morning.

The takeaway from this, if you're looking for a bright side, is that when an agency says 8 weeks it could really be 12 weeks, so the fact you hadn't heard back doesn't really mean it's a rejection, it just means that they're behind schedule. Best of luck.

And it's never fun to start the day being rejected.

In other news, I did manage to finish the fourth draft of a story idea I had for Powers Squared, Aroma Therapy. 40 pages over two issues. Don't know if it will make it to print but it was an idea I've had for a while and decided to write it this week, yes in lieu of other writing.

And the podcast that the comic book birthed, On the Air with Powers Squared, is about to celebrate its 100th episode. For that show, we got Carla Hoch, the author of Fight Write to be a guest. If you have any questions you'd like to ask about fight scenes in books or comic books, leave me a comment by Thursday morning, we're taping her in advance, and I'll ask for you.

For Trophy Unlocked, in the spirit of Comic-Con, we featured Trevor's review of the video game Blacksad: Under the Sun and his review of The Peanuts Movie on Saturday morning. I'm currently working on a review of Who Framed Roger Rabbit for future publication. Hard to do much writing when you're watching videos.

Anyway, that about does it for me. Keep writing and I'll see you next week.

A Week in Writing #360 - What am I doing?

Hope everyone is well and writing. At least, that's what I think I've been doing.

Have you ever had weeks like that, when you look back and realize that you hadn't done everything you wanted to do? I know that feels like me every week and, sadly, this one is no different.

It wasn't until I sat down to write this that I realized I hadn't worked on Skylar at all this past week. I don't think I'd ever really thought about it, except in passing and apparently didn't work on it at all. This doesn't mean that I'm done with it, only this past week I never had a chance to work on it.

This entire week, I felt like I was losing time, and as we know, there is never enough of that to go around. The fun part is that I can never remember where the time went. I mean, I sit down every night and something gets done but when I look back it seems like nothing got done.

Of course, no new queries. Thursday night, the night I set aside for this, was a no-go this week. I'm not going to promise anything this week as I hate to disappoint. But when I do again, I'll report back here, but no more empty promises going forward. I feel like I'm letting you down along with myself.

I finally finished my review of Ace in the Hole, which was harder than I expected. Now I'm working on one for The Trouble with Harry. As per usual, no ETA for when these will appear. Things got a little shook up on Trophy Unlocked this week. On Wednesday, instead of a video game review, it was Trevor's review of JoJo's Bizarre Adventure: Diamond is Unbreakable - Chapter I, a movie. And on Saturday, it was Paul's review of the documentary The Cartoonist, about Jeff Smith, the man behind Bone. Sunday, was a bonus review of Space Jam: A New Legacy, which we had the misfortune of watching on Friday night.

So, don't be shocked, the rest of the week was spent on Powers Squared. Some of it was spent on reviewing pencils for Issue 19 and some of it was spent working on another idea I had for a future book. I'm calling it Aroma Therapy and I'm not going to explain, at least not yet. I've written a first draft or two of the first 20 pages.

We had our monthly group meeting, or what our colorist called "our monthly 'We're Not Dead' Podcast". These are usually my favorites as it's everyone involved in the book. We discuss what's going on and what we're working on. You can listen to it here. We're only about three away from our 100th podcast. It may sound like we're crossing streams, but we're trying to line up Carla Hoch, the writer of Fight Write, as our guest.

Next week, we're having Lucas Scheffel live from Australia to discuss his new Kickstarter for his Angry Fred comic book.

Speaking of next week, it's time for San Diego Comic-Con, though once again, it's @home, which takes the stuffing out of it. I will be "attending" and will report on whatever it is I learn.

Well, that's a good place to stop. Keep writing and I'll see you next week.

A Week in Writing #309 - Report from the Home Front

If you've been reading this blog for any length of time, you'll no doubt remember that when I attend a con, I try to give you a report detailing what I've learned, as a Report from the Front. With COVID-19 spreading, San Diego Comic-Con went virtual this year, so while I attended, I never did leave my couch.

Usually, I make an effort to attend as many how-to programs and panels, but this year there were far fewer of those types and even fewer that really interested me. So my report this time will be somewhat limited. We, as a family, attended several panels via YouTube, which was the only way for the Comic-Con sponsored ones. (Adult Swim, as an example, had their own panels via Twitch). I would say that we spent a lot of time attending panels that were sponsored by Warner Bros, either the Archive or HBO Max, the latter of which seems to be where all the new Cartoon Network-produced programming is going. We have a lot of favorites, such as Summer Camp Island and Adventure Time, which were part of several panels, including one about Storyboarding, which was very interesting.

There was also a Phineas and Ferb panel, this one from Disney+ about the Candace Against the Universe movie that is coming out on that streaming service later in the summer. We've been watching the series pretty much every weekday at lunch, and I think we're all looking forward to the movie, even though we currently don't subscribe to the streaming service.

Warner Bros sponsored two panels, one about the 80th Anniversary of Bugs Bunny, which was a long infomercial for a set they're releasing later this year. And Warner Archives sponsored one about the Secret Origin of Saturday Morning Cartoons, even though the secret is that the original cartoons were reruns of theatrically released cartoons. Both were interesting but not really how-to presentations.

Even though we have a colorist, Paul and I were interested in How To Color a Comic Book, sponsored by Hi-Fi, a coloring service that walked through their process and gave some tips on what they do versus what others do. Fairly informative though I'm still happy with the colorist we have and the work she does.

There were a couple of panels about the Narrative in Videogames, which I think Paul understood better than the rest of us. I've always thought there is a videogame in Powers Squared and watching the panel did get me to thinking about story branches and alternative endings, though I profess not to know a thing about scripting one. It is interesting to hear terms like "Bark", "Cinematic" and "V.O." being used.

We did watch a panel that promised to discuss the science behind Back to the Future, but which really discussed science in comic books and science fiction. This is one of the issues with panels is that they sometimes don't get to point they were supposed to. I was hoping to hear something about hoverboards and instead saw a brief demonstration of a robotic skirt that one of the panelists designed.

Watched a panel about networking. These panels are never really about how-to but more the benefits of having done so in nature. There was a panelist who does marketing for comic books, so I did contact her after the panel. Too soon to have heard back and I don't want to get ahead of myself and commit to hiring her, though I would like to hear what she could do for us and Issue #10, which is coming out soon. I will, of course, let you know if anything comes of this.

Two more panels on Sunday had some useful information. There was a panel on The Writer's Journey: Developing a Producer's Mentality. This was more about working on your own IPs rather than someone else's. And while you may have to be willing to make some changes to get it published or produced, there has to be a line that you're not willing to cross; and if you walk away, you have to really walk away.

The other panel, and our last one of the Con, The Grind NEVER Stops, not even during a quarantine led by Bryan "Kaiser" Tillman. He led another panel that we attended last year and is really a very inspirational speaker. His point was that creatives should use the time during a pandemic to get things done, rather than play videogames and watching Netflix. His advice was 1) Time Management: Plan out your day and then you'll see how much time you actually have; 2) Study: Look at the work of others and see why it is effective; 3) Practice: Work on the areas that you need to improve; 4) Development: The first draft is not going to be your best. You need to work on it to make it better; and, 5) Network: Find groups of like people on social media and share with them and comment on their work as well. While I think Kaiser's intended audience is artists, much of what he said is applicable to writers as well.

Since all the panels were pre-recorded and available on YouTube, it's probably not too late to watch them. You can go to https://www.comic-con.org/cciathome/2020/programming-schedule and see what you might have missed.

I did manage to get some writing done this week and during the downtimes between "Panels". One of the advantages of Comic-Con@Home is that you're not trapped there and can do other things while you wait.

This week, I finished the pencil and paper editing on The Runaway and began to type up those changes. I think I was hoping that the edits would not only make the book better but might have a few more words. I think I was hoping for at least 1000, but I've only added a couple of 100 words and I'm about 25% of the way through the book this time around, or version 9 if you're keeping track.

I also finished the two reviews I started last weekend, The Bribe and Top Gun. They'll be coming out sometime in the future. This week, we continued the trend of publishing a videogame review on Wednesdays with Trevor's review of Spec Ops: The Line for PS3. In keeping with the spirit of Comic-Con, my review of Batman: The Killing Joke went up on Saturday. A bit of coincidence that was also the 4th anniversary of its release in theaters.

We even managed to review some inks from Rachel for Powers Squared and work a little bit on getting a Discord group up and running. Our colorist, Julia Canon, is the spearhead behind that and it promises to make the communication and sharing easier.

We also had the time to write and send the latest newsletter on Powers Squared, The Bark, which you can subscribe to here.

So, to wrap this up, while I enjoyed the extra time and extra money that Comic-Con@Home provided me, I really missed the actual event itself. With all the hassles and people, there is really nothing like it and missing it for a year makes me more excited about going next year.

Keep writing and I'll see you back here next week.

A Week in Writing #308 - Knee Deep in Rewrites

Hope everyone is well and staying safe!

Am I alone but I really like the editing process, especially on my own stuff. This past week, I've been printing 25 to 30 pages at a time, trying to end at the end of a chapter of The Runaway and, with whatever available time, I've been reading and editing those pages. I'm old fashioned at this stage, paper and pencil, but for me, it's the only way to do it. I find myself carrying a larger and larger stack of papers with me when I do, as I like to keep all the previous pages with me, in case I want to look for something written before. It's interesting to me that 400 pages printed seem to be taller than 500 pages in the ream it came from.

I also did a rewrite on the pilot script for Powers Squared using notes from the table read. Paul has it for review and more editing. That was something that was on my plate for too long, as I really want to get through that and the pitch packet before summer ends. I would say before the coronavirus ends but I think we'll probably beat that.

Speaking of Powers Squared, I had an idea mid-week about doing more with the college setting of the story. If you've read any of the issues (and thank you for that) you'll know it's set at San Romero Community College. We even have t-shirts with the college crest on them for purchase. I had the idea that when we publish the next issue (#10) later this year that instead of hyping the next book we hype the school. I managed to do a preliminary mockup of the page, but my version of PhotoShop doesn't allow me to do everything I want.

That got me thinking that instead of encouraging people to Join, we should encourage them to enroll and provide them with a page to do that. The idea would be to make it look like a College Catalog with a brief history of the school, a story about the mascot, a way to sign up for the school paper, The Hound Dogs' Howl, and to use various means to have visitors hopefully hit up the shop for issues, websites of the creatives through course listings and staff listings and to provide glimpses of college life at dear old SRCC. I managed to put that page together as well this week, though we're still waiting for feedback from our colorist before launching.

Finished the review I was working on from last week, Scene of the Crime, and started two new ones: Top Gun and The Bribe for Trophy Unlocked. The reviews this week were both by Trevor this week, Wednesday it was Devolverland Expo and on Saturday it was Chicken Little.

Next week will be an abbreviated one as on Wednesday we're going to Comic-Con, though this year it will be a virtual @home experience. The Con will still run for five days with panels online and the Exhibit Hall, Small Press, and Artist Alley going virtual as well. There will be a lot to explore but without the walking and hustle and bustle.

After these sorts of events, I usually do a Report from the Front about what I may have learned about writing. Not sure how much I'll get to this time around as a lot of the instructional panels are either ones I've already attended in person or ones that I'm not interested in attending at all. But we'll see because, as they say, you never know.

Well, that about does it for me. Keep writing, wear your mask, and I'll see you next week.

A Week in Writing #257

The week after Comic-Con is always a bit hard. The conference really takes it out of you physically. There are usually a couple of days during the week back that weariness creeps in during the afternoon. But that passes after a few days.

Something that you don't want to pass is the feeling of belonging. While there are people there who are more successful than the others, many, if not most, are in similar straits. Creatives who have to support themselves through other means, like a day job. For many, the creative outlet is not enough to make a living. In many ways, they make a community and I'm only starting to understand how to work with it and within it. It is that feeling that I think makes me sort of melancholy on the ride home on Sunday night.

But work continues. While we were gone, Rachel sent us pencils for four more pages in Issue #12 of Powers Squared. Paul and I didn't really have a chance to look at them until Tuesday night. But knowing she was working on the last section of the script made me anxious to make sure the next story arc, The Imposter, is ready when she is.

On the night we returned from San Diego, I did some work on the script and I worked on in it some more on Monday and Tuesday night as well before giving it to Paul to take a look at. I don't consider anything I've written to be cut in stone and the goal is always to make the book better.

During the week, Nina sent in four more pages of Issue #11 and Trevor lettered four more pages from that issue as well.

Our Kickstarter plans seem to have taken a backseat for a while; not forgotten, but just delayed a little. I think we're getting close, but there are still a couple of things we need to pull together before we go live. I'd like to get the graphic novel lined up, as well as make sure I understand the pricing of using a print on demand service to fulfill the orders. We're also thinking about a new t-shirt we could offer, but that's just in the preliminary stages.

On Tuesday night, I also listened to another of the List Launch podcasts, this one about building your list through family, friends, and colleagues, you know, low hanging fruit. We're still about 24 subscribers short of the magical threshold of 100, so if you're reading this and you're someone I know, be prepared to get some sort of communication from me about signing up. And if you're reading this, and we don't already know each other, I will invite you to join here. It will only cost you an email address and you'll get a free copy of Issue #1. And you can then read all the Powers Squared nonsense on our newsletter, The Hound Dogs' Howl, rather than reading it here, though this does have a different slant.

Paul took over an hours' worth of video that we both shot at Comic-Con and edited down to a half an hour, which we put up as this week's YouTube video. It's our longest video to date and is more about our life behind the scenes as attendees. One of the problems with me watching it is that I had to look at myself repeatedly over the 30 minutes. It's sort of one thing to shoot a vlog live and then move on, but to have to watch yourself in action is a different experience. You may not learn the secrets of the galaxy, but you will get to see Paul and I (and Trevor) standing in lines, coming out of restaurants and even sitting in the occasional panel. A splendid time is guaranteed for all.

One of the things I think I've learned from watching the List Launch videos is the concept of an avatar or your ideal subscriber. Your avatar is supposed to be the hypothetical person you're aiming at with your newsletter/marketing, etc. I'd also like to think of the avatar as the person you're trying to impress. I'm trying to apply some of that to not only this blog but also to my other writing as well. If I want to be a writer, then I need to do things writers do besides blogging about them.

I know that I talk, or, as is the case, write, a lot about querying, but I don't do it. I was telling someone recently that I find the whole process mildly time-consuming but also soul-sucking as well. But to prove it to myself, I did it last night, sending a query regarding Broken People through an agency's online submission form. I had to provide not only basic information about the book, but a query letter, a short synopsis, and the first three chapters. Luckily, I had been working on the short synopsis. Rather than worry about rejection letters, they provided me a link I can look at to see when they reject me. So far, none of the queries I've sent out have gotten as much as a response, which is the soul-sucking part, but I want to do well by my avatar, so I'm going to continue. Of course, I'll recount here how many I do and if I ever hear back anything.

Worked most evenings on The Runaway and I'm not at the place where I left off, which is about 237 pages in. Now it gets down to more original writing, which is harder but not impossible. I will, of course, write about that here as well.

A little bit of news on Familiar Stranger. Called the editor on Friday afternoon and, of course, once again got his voicemail. This time, though, I decided not to leave a message, I mean what's the point. However, after I hung up, I received a text from him, which I couldn't answer in the car while driving, but did later when I got home. Now, the polite thing would have been for him to reply back to my text, which of course he didn't, but it's sort of a positive baby step, I guess.

Sadly, no new reviews from me this week for Trophy Unlocked. Trevor, however, did come through with a review of a 22-year-old video game, Spy Fox in "Dry Cereal", so there was still a Saturday Morning Review on the blog.

Well, that's it from here for now. Until next week, keep writing.

A Week in Writing #256: Report From the Front: SDCC 2019

A day late, but better late than never, right?

Every year, for 13 of the past 14, I've attended San Diego Comic-Con and every year, since I've been blogging, I've written about my experience, first on Trophy Unlocked and then here for the past few years now. I write about my experience at the Con and the panels I've attended, sharing what I've learned in hopes that it will help me make more sense of what I've learned and to pass that on to you, dear reader, in case something I've learned would be helpful to you.

The San Diego Convention Center at night.

I will write about about some aspects of the convention but if you're looking for photos of Cosplayers or a rundown of the MCU Phase 4, I'm going to have to tell you to look elsewhere, as there are much better sources for that sort of information. In all the years I've attended, I've never made it into Hall H, nor have I attended the Masquerade ball they have on Saturday nights.

This is the first year that I've attended the event as a Professional, thanks to Powers Squared. Obviously, sales numbers are not taken into consideration when it comes to handing out that sort of badge. Being a Professional means that you don't have to go through the registration process, you get all four days and preview night, and you don't have to pay for admission. While that is all pretty sweet, that is all that you really get. After that, you are simply an attendee with no other real perks, or at least ones worth noting here.

For those who couldn't attend, I put up some photos as a sort of travelogue on the Powers Squared Instagram page, which means they showed up double on the comic's Facebook page, Twitter feed, and Tumblr. If you want to see lines and crowds and see where we ate while there, please check that out. Paul and I also did short videos which will be edited together for next week's A Week in Powers Squared vlog that we put up on our YouTube channel.

Let's get over the basics, Comic-Con is tiring and expensive. For the most part, you're one in a sea of people all trying to do something different, which means there is general organized chaos going on at all times. Lines are long, even for pre-ordered items, and having a magic ticket, so to speak, means you're at the end of a line that never seems to move more often than not. Some booths, like Hasbro, seem to know how to handle a giveaway while others, like Viz, still do not. Last year, they nearly shut down the Con based on the near-riots that they caused.

While I want to have fun at Comic-Con and did attend some panels in that vein, over the past few years I've trying to attend more learning and professional sessions and that's what I write about here. There was one panel, The Art of the Pitch, that I could not get into. Not sure why, but I suspect that it had something to do with Yvette Nicole Brown, of Community fame, being the moderator. Don't know for sure because I never got into the room and I wasn't paying attention to what the next panel was supposed to be in that room. For some panels, especially the popular ones, you have to sometimes sit through one or more prior to get to the one you want to see. I didn't expect one about Pitching to "sell out," so I missed that.

There is no substitution for actually attending these sorts of panels. I know not everyone can, so I try to present what I learned to help those who can't.

I did make it into Finance Your Indie Comic Now, moderated by Barbara Randall Kesel, and while it featured four male black creators and one woman, as Kesel pointed out, this wasn't about diversity in comics. The nice thing about the panelists is that they, like many in the room, were creatives; Andre Owens had recently become a full-time creative, which is, of course, everyone's goal.

Like most panels, there really isn't that much that you haven't already learned and you will sometimes hear advice that is impractical for your situation. However, here is what I was taught in the panel:

1) If you spend more than $162 a page, in a comic book, and your sales are not 5000 and up, there is no way to make money on your book.

2) You should try to price your book at about half of what Marvel and DC charge for the same amount of pages $4 to $5, which means you should price at $2 to $2.50, or make up for it by offering more than what they provide for the same price.

3) The sources for funding are the usual: Crowdfunding (Kickstarter and the like), Print-on-Demand and Digital-only distribution. They did agree that there is a little Kickstarter fatigue that has set in, which, if true, is not a good thing.

4) They did mention a website that I have not had a chance to explore, http://www.creatorresource.com, which is meant to provide comic book freelancing tools and resources.

Nerdy Finance was actually a replacement panel, but when I heard about it, I wanted to be sure to attend. Presented by Neil Narvaez, the panel discussed the tax implications of a hobby and trying to run a business, or as he put it, trying to make money.

His first bit of advice was to have an accountant do your taxes, as they know, or should know, the ins and outs of the tax codes and will allow you to take full advantage of all deductions.

The IRS considers you a business if you are:

1) Acting like a business (i.e., trying to make money)
2) What is the time and effort you're putting into it (can't be an hour a week or a month)?
3) Do you depend on the income generated by your business?
4) Are losses beyond your control?
5) Do you change strategies to be more profitable?
6) Do you have knowledge/skill?
7) Did you make a profit in the past?
8) If you made a profit, how much?

The top five deductions for a creative:

1) Home Office. If there is a part of your home that is only used for your business, you can claim that percentage against everything from mortgage/rent to property taxes to utilities as a deduction on your taxes.

2) Travel - to conventions, etc. This is no longer allowed for W-2 work, but if you're your own business, then it is still allowed up to 50%.

3) Meals while traveling. Again, it's up to 50%

4) Materials and supplies.

5) Hiring your children to work in your business.

He also talked about the perceived tax advantage of being an LLC. While a Limited Liability Company does provide you with some sort of protection, it does not have an impact on your Federal or State Taxes. He made it sound like it is more trouble than it is worth. In states like California, it costs $800 a year to register. There might be cheaper ways to protect yourself, like an Umbrella insurance policy.

He also did not recommend forming an S Corp unless your income is $60,000 or more. Again, costs and bookkeeping, etc.

He also talked about Estimated Tax payments. While these are voluntary, if you owe Uncle Sam more than $1000 at the end of the year, they will fine you, so if your accountant recommends you make them, you should.

See an accountant!

Bryan Kaiser Tillman leading Proper Pitching and Promoting Yourself panel at SDCC 2019.

Proper Pitching and Promoting Yourself was moderated by Bryan Kaiser Tillman, a very charismatic behind-the-scenes creative who has been doing some form of this panel for the past 10 years. He opened by saying that you wouldn't necessarily hear something you had never heard before, but he would make it so that you would remember.

He went over the top five rules for proper pitching:

1) Know your product. There will be questions asked that you need to be prepared to answer. The better you know your product, the more confidence you'll have when presenting. Rehearse. Everyone is in the same boat you are, but the more you practice what you'll say, the better you'll present. And most importantly, you need to believe in it.

2) BS your way to the Truth. If in your presentation you're asked something you haven't considered before, you'll need to come up with an answer on the fly and then make it part of the story. DON'T LIE!! (as an example: Don't say you can pencil 24 pages in a week because when you can't, no one will hire you.) If you didn't think about it but can fix it in your presentation, do it. But remember to be consistent. If you give an explanation one time, you need to give the same one each time, as you don't want to lose the confidence of those you are presenting to.

3) Don't Cross the Thin Line between Confident and Cocky. No one will want to hire or work with you if you're a jerk. Something that was mentioned more than once in several of these panels is the old adage that you need to be two of three things; Fast, Good, Friendly. If you're a jerk, then you have to be good and fast, which is difficult if not impossible. Be nice to people. Don't be a jerk.

4) Network. Okay, we're all introverts in this room, but it can start with nothing more than saying "Hi" to someone and talking to them. Ask questions. Go to conventions in your area of interest. He made a point that if you're a creative, you don't or shouldn't go to Comic-Con to go to Funko, you should go for the opportunities to meet like-minded people and learn. And don't be creepy.

5) It's not about you. It's about the product. Learn to detach yourself from your work.

The final panel I attended, Full Time Creative Work on a Part-Time Schedule, spoke to me when I saw it in the list of panels. Oddly enough, this panel was one of the last ones offered at the Convention. You'd think if you have a full-time job, then you might be leaving earlier than most to get back home. This one was held at 4 to 5 when the convention closes down at 5, so there's no revisiting the floor after this one.

This panel was actually pretty good and included an opportunity to network with the panelists as well as others in the room. Of course, it was important to have a business card which one of the panelists, Sean Glumace, emphasized. He talked about the ability to use software like Evernote to ingest business cards and set up networks. To demonstrate, he used his phone to scan and send emails to Trevor, Paul and I during the panel itself. Unlike most people, we actually had cards to hand out. Very effective demo. One of the things I need to do a better job of is following up with people.

In addition to having business cards, it is recommended to have a page on Linkedin and Facebook, which people who hire still use and will look there to see who you are and to look at your work. Apparently, Linkedin now has a place for portfolios.

They took Q & A, which for the most part was specific to the person asking the question. However, advice to writers: Always Keep Writing, Keep Sharing and Surround Yourself with other writers, including writing groups.

They also provided the basics part-timers need to be aware of:

Communication - Everyone needs to be on the same page.
Focus and Time Management - Rearrange as much of your life as possible so that it points to your goals.
Never Too Early to Start - So many people get their start in college.
Organization - Make lists and use them.
Networking - This comes up in every panel.
Support - You need as many people helping you as possible, but it is a two-way street.

So much for the panels I attended. Again, if you have the chance to go to Comic-Con or a like convention, then I recommend trying to attend professional panels if they are offered.

One of the important things about conventions is to make contacts and to keep up with the ones you've already made. Was able to touch base again with Doug and Corey at the Comic Creator Connection. Their book, Epic Win!, was very important for me when we started Powers Squared. Also able to run into our contacts at comiXology and at IDW. The former is our digital publisher and the latter is someone we've known through various conventions for the past ten years it seems. I had been carrying around printed versions of Powers Squared for a couple of days, which for 9+ hours a day can get quite heavy. I wanted to be prepared, if the opportunity arose, to show them to someone. I managed to get up the courage to show them to our friend at IDW.

He was very complimentary, saying they're getting better as they go along, which they should. He also liked the artwork. I had to point out to him that we had changed artists; he had thought the artist had simply gotten better with time. I know it's not much of a win, but hearing that from him made me feel like we're at least on the right track.

Did make an effort to support other creatives when I could, reaching out to Don Nguyen and Andy Nordvall, who were doing a signing at the Geekscape booth on Sunday. Nice to put a face to people you've only met through social media. Wanted to support them as well. Bought some of their books and will discuss as I read them. Right now I'm still working my way, slowly, through Spider-Man Noir.

Next year, I'd like to try to do some portfolio review with the book. Maybe we could interest someone in picking it up or maybe we could find additional work because of it.

In our absence, work continued on Powers Squared, with Rachel sending up four more penciled pages that Paul and I, as of this writing, have yet to have a chance to review.

No new reviews for Trophy Unlocked. Our Saturday Morning Review was another old favorite we hadn't previously reviewed: Toy Story 2, which Trevor reviewed. We are trying to onboard a new reviewer, but not sure where that stands at the moment. More if that materializes.

Did some more rewrites on The Runaway on Monday and Tuesday but like everything else, they were on-hold during Comic-Con. And surprise, no response from the editor on Familiar Stranger. WTF.

Well, that sort of wraps up this week in writing. If you have any comments or questions, please let me know. So, until next week, keep writing.