Hope everyone is staying safe, and, of course, writing.
My week was mostly devoted to two things: the newletter, The Hound Dogs' Howl, and L.A. Comic-Con. Let's talk about the latter first.
To be honest, L.A. Comic-Con has not been a good convention for SRCC Press (Powers Squared and The Blade of Miracles). This is our second time to table there and we've had, what I would generously, call light sales and mild interest in our books. Part of the blame I'll put on ourselves. We're still fairly new at the Con game and we don't have a built-in audience, so the best we can hope for is that someone will take a card and look us up later. I'm happy with adding names to our mailing list.
Part of the blame, I put on the Con itself. To begin with, tickets are not cheap and many people have paid extra, and what I would consider, exorbinate amounts already to have a photo taken with the likes of Nicolas Cage or Hayden Christensen. These are probably not people on the look out for new comics. Also, the first charge people face at LACC is the $60 charge for parking. I'm sorry, but that's a lot for any convention. Spending that much for parking and $12 for a dole whip and the con takes money out of the congoers as fast as Disneyland, and no one is buying new comics at Disneyland.
We did have a good time, met some new people, and met some old friends, so I wouldn't say it was a total loss. However, I don't believe we will be tabling at L.A. Comic-Con again. I know I've said it before, but I really, really mean it this time. You can find images from the Con on our Events page.
As an added bonus:
If you've never tabled at a convention, here's a little note on jargon you'll hear:
"I'll come check out your table," when said by another seller, really means, "I won't be coming over to look at your setup."
"I'll come back around," when said by a con-goer, usually means, "I want to give you hope, but I'm not coming back." This is especially true if said by someone with a one-day pass or the odd relative that just popped up unexpectantly at the con and literally stumbled onto your table.
And, if you're told by an artist, "Hit me up on Instagram," or other social media, 90% of the time that means, "I'm telling you something to placate you in the moment, but I'll never respond." And they never do.
And now you know.
The Hound Dogs' Howl, like this blog post, came out a day late, but it got out, which is the important thing, so if you're curious, please sign up here.
Even though we were tabling at LACC, we still put on the On the Air with Powers Squared podcast. This one was a pre-recorded conversation we had earlier with Nina Gaillard, who went from our colorist to Eisner-nominated colorist. You can watch it on our Twitch channel for the next few days, listen to it here, or wait and watch it on our YouTube Channel Wednesday at 2:30 PST.
No new reviews from me this week. Sorry, but no Saturday night movie. That doesn't mean there wasn't a review on Trophy Unlocked. Trevor's review of Good Boy (2025 Leonberg Film) was our Halloween Saturday Morning Review, ending horror month for this year on the blog.
I managed a little work on Cold Case, mostly undoing some of the work I had already done. So, I'm down to 26,935 words as a result. Hopefully, more progress this week.
I think that's about all from me this week. Keep writing and I'll see you back here next week.




.png)









