Monday, August 28, 2023

A Week in Writing #471 - Disaster Averted


Hope everyone is staying safe, and, of course, writing.

Sorry I'm a day late with this, but I spent the better part of yesterday at the second of two Metallica concerts at Sofi Stadium. One of those days when you leave about 3 in the afternoon and don't get home until 1 am the next day.

Disaster nearly struck this week, at least for me. I was working on my current story and wanted to refer back to a previous book but then I couldn't find it. And I searched and searched. Spent the better part of two days, read that evenings, looking at every form of back up I made but I could never find it. I did open each book and put in a couple of search words that were relevant to the story, "Barstow", where some of the action takes place, "missing persons", which was why I was looking for it, etc, but I couldn't seem to find it. That is until today. I decided that my happy ending would make a good reason to go into more details.

I know that I have mentioned I'm writing a private deterective series but I don't think I've bored you yet with the details. And, I guess I worry what it will sound like to others if I write it down.

The main character of the story is a private detective, J.D. Barrister, who came out to Los Angeles from the University of Texas with the hopes of becoming a screenwriter. But those dreams faded overtime. In researching a private eye story idea, he interviewed Robert Parkinson, a small timer in the San Fernando Valley. Parkinson needed an assistant and J.D. needed a more steady income and thus he went to work for him.

Soon after arriving in Los Angeles, J.D. was pulled over speeding down Sunset Blvd. by a motorcycle cop, Debbie Estevez. While he couldn't talk his way out of the ticket, he did manage to ask her out for dinner and a romance bloomed. They were desitined for the altar when J.D. pulled back. He and Debbie may love each other but theirs was a combustible relationship and J.D. called it off. Since then, they had been off and on. They are sometimes friends with benefits but she is always his first call when he needs help with the police.

The first book I wrote was one called Simple Sins in which J.D. is hired to follow a cheating husband but uncovers, instead, industrial espionage. Not only is Debbie around but J.D. also makes a contact at the FBI, Special Agent Howard Strait, who also reoccurs in other stories. Prior to my blog, I had shopped this one around and, surprise surprise, found no takers. In the book, it is stealth technology that is being passed on to the Chinese through an Albanian consulate. This, I know, dates the book, and I started to rewrite it once but it got sort of out of hand.

The series follows J.D.'s case load but also his personal life as well and events in one book will have consequences in other installments. As an example, Debbie does eventually marry someone else, an attorney named Enrique Sepulveda. Their relationship is hurried along when it is discovered Debbie is pregnant.

J.D., after various relationships in his books, falls in love with Leanne Wilson, a former model turned opthamologist. A third generation Japanese American, Leanne's grandfather was a white American soldier who fell in love with a Japanese woman after World War II. Leanne had also been married once to an actor. J.D. got involved when she suspected, correctly, that her husband was having affairs on the set. But it was several years later, when J.D. was running an adultery sting operation, that they got back together. A woman would hire J.D. to test their husbands and women like Leanne would be put out as bait to see if the man bit. It was after one such sting that J.D. and Leanne discovered a mutual attraction and they've been together ever since. I'm leaving out several storylines, but you get the gist.

J.D. makes a career following suspected philandering spouses, finding the occassional runaway, and sometimes dealing with blackmailers. His clients have included former girlfriends, show business agents, wives and once, a disgraced former news anchor.

The latter takes place in Broken People, the book I have unsuccessfully been querying for what seems like a long time. Times are hard and J.D. takes to process serving to make ends meet. The last person on his list is a political blogger, whom ends up murdered after J.D. serves him. When the police investigation, of which Debbie is a part, arrests someone for the crime, J.D. is not convinced they have the right person. Neither is Stacy Michaels, a waitress at the club where J.D. found the blogger. A former news anchor from Cincinatti, Stacy has come to LA to start over. But she thinks cracking this case would put her back on television. With the aid of another political blogger, Tom Black, that happens. J.D. is reuniting, briefly, with Debbis as she convolesces at his apartment when she's shot in a shootout with her former partner on the case.

In Past Present, J.D. is hired by his former college sweetheart, Brianna Miller, to follow her husband, Dalton McLean. Dalton is the blacksheep son in a family of Dallas-based real estate developers who was sent to L.A. to start a branch there, but it was really just to get rid of him. Dalton is indeed having an affair with a younger woman, Katy 'Kat' Wiley, whom unbeknownst to most everyone, including Kat, is actually his daughter from a college affair. I won't go into too many details but there is a murder involved that J.D. helps to solve.

In Public and Private, J.D. is hired by agent Irv Stringer to retrieve some intimate photos stolen off the computer of an up and coming actress, Cassandra Leonard, for which she is being blackmailed. In searching for the blackmailer, J.D. develops a short-lived sexual relationship with the star, as well as sleeps with an already engaged Debbie. There is an unrelated murder of a drug dealer that ends up being related and the blackmailer himself ends up killed on Christmas morning. There are a lot of suspects, including Cassandra, and Stringer, who had flown out of L.A. about the time of the blackmailer's murder and had lied to the police about it. The story ends with a shootout on the Paramount lot.

In Getting Even,  Maddie Crosby, a minor character in the previous book, hires J.D. when she thinks she's been involved in a murder but the body is missing. J.D. is then hired by the father of the missing victim to find his son, an investigation that takes J.D. up to Mendocino. This is also the book wherein J.D. hires Leanne to work the sting and they become an item. Meanwhile, Debbie is both engaged to Enrique and hasn't given up totally on J.D., but a pregnancy has her and Enrique setting a date.

The Runaway was the book I thought I'd lost but was under my nose the whole time. In this, J.D. is hired to find a man that has gone missing. Debbie, who is now married and nine months pregnant, helps J.D. until he has to rush her to the hospital to give birth. Back on his case, he finds the man he's looking for dead in Barstow. As it turns out, he was working for a client of Enrique's who was taking in runaway girls and using them for his own sexual desires and those of his friends. As the police noose closes in, Enrique turns on Debbie, effectively ending their marriage.

Skylar, the book I have been working on off and on, is J.D.'s first case post Covid shutdown. He has been living with Leanne at her apartment in Brentwood and is now using his old one as his office. The first client is a next door neighbor who is being blackmailed into having sex with a former lover, a Russian drug dealer. While he's working on that, his future father-in-law, Ken Takahashi, comes to visit and gets J.D. involved in a tontine the grandfather has been involved with. Ken's visit prompts J.D. to ask Leanne to marry him. I haven't quite figured out how to wrap this one up. I sort of wrote myself into a corner that I have to redo. At the end of the book, spoiler alert, J.D. finds out that Debbie's baby is really his.

This takes us to the new story idea I've had and have been working on. This time, Brianna, who is also a lawyer, hires J.D. to look for a woman for a client, who ran away from home fifteen years prior. A big task that comes with a big paycheck if he can find her. In the meantime, J.D. has been married to Leanne and is just getting to know his now three-year-old daughter Cristina Rose. Because this invovled a missing person's report, I wanted to reference a similar situation from The Runaway, the book, which is when I thought I couldn't find it.

There are a couple of other books in the series, Paperback Detective, and Familiar Stranger, but I think you get the idea. Well, now that you're pretty caught up with my private eye stories, I'll fill you in with what else is going on with other projects.

Since we were at the Metallica show on Friday night, Julia Canon hosted and she and our colorist, Jen Moreno, worked on a back-to-school theme using characters from Powers Squared. While you can listen to it here, this might be a better one to wait for on YouTube, when it goes up on Wednesday.

I started but didn't get very far with a review of British Intelligence (1940), something to work on. There were two reviews up with weekend on Trophy Unlocked, Trevor's of Justice League: The Flashpoint Paradox on Saturday morning, and Paul's review of the recently released 

Well, I've got a newsletter to start, so I'll end it here. Keep writing and I'll see you back here next week.

Sunday, August 20, 2023

A Week in Writing #470 - Just Add Water and Stir

Hope everyone is staying safe, and, of course, writing.

This post comes during a very weird time in Los Angeles, where I live. Not only are we having a tropical storm roll through here for the first time in over 80 years, but we also felt the earth roll as we had an earthquake as well. As someone said on the news, L.A. is the country's disaster theme park. I know you want to know but except for some minor flooding in our garage, we're doing just fine. We sort of thought we had until winter before we had to worry about rain and the flooding but who knew we'd have rain in August?

Well, I know you're not reading this for the weather.

I'll save you some time, no new queries this week, no overt rejections either and very little writing, except for the idea I had for the comic book. I managed to do four drafts of a two part script, 5295 words. It started with one idea and ended a different way. I gave it to Paul to look at today. Even if it doesn't become a comic book, I still enjoyed writing it. It's been a long time, it seems, since anything I've written has been made into comic book form.

It wasn't my plan to spend the week on it but it started to roll and I just went with it.

Because of the pending storm and the possibility of a power outage, I didn't want to be working on a new review this week. So, instead, we watched the first episode of the MST3K season 13, a Kickstarter we backed in 2021 but for which, after paying for shipment on top of the Kickstarter, just received this week. One of the more botched Kickstarters I've been a part of and probably the last one I'll do for MST3K. The episode wasn't very funny and seemed sort of high budget cheap, if that makes sense. The original was made on a shoe string but it was way better than this version. The short we watched was funny, but that doesn't make up for everything else.

Because of the possible power outages, I also moved some of my normal Sunday morning social media stuff to Saturday night, including uploading our Friday On the Air with Powers Squared up to YouTube and scheduling posts for later in the week. This past Friday's podcast was mostly Paul talking about Metalocalypse and Dethklok, the fictional but still real band featured in the series. That goes up on Wednesday or you can listen to it here.

Even though I didn't write a new review this week, my review of  Nancy Drew. . . Trouble Shooter (1939) was Trophy Unlocked's Saturday morning review. We decided the review was our salute to the waning days of summer. The Wednesday Game Day review was Paul's for Five Nights at Freddy's: Security Breach – Ruin (DLC).

Just to give everyone a head's up, next weekend gets sort of discombobulated with Metallica coming to town for two shows, Friday and Sunday night. OAPS will be hosted by Julia Canon and will be another Artists Takeover, which I encourage everyone to support. It should be Live at 6 pm PT, so please watch. And, because the concert is also on Sunday night, this missive won't come out until Monday.

Well, that about does it for me. Keep writing and I'll see you next week.

Sunday, August 13, 2023

A Week in Writing #469 - Rethinking the Queries


Hope everyone is staying safe and, of course, writing.

Sometimes it's best to stop doing the same old thing and try something new. I've finally come to that conclusion with my query letters for Broken People. I'm not sure what's not clicking but obviously, after so many query emails and nothing to show for it, I'm going back to the drawing board on it. I'm trying to rewrite how the story begins. Maybe those sample pages will work when the ones I've been sending haven't so far.

I began that quest on Thursday night, my usual night for sending a query letter. In the meantime, I'll consider sending out another story. I was close with Past Present, maybe I'll revive that query letter and send it out. Give me a little time on that one though. I've also got Skylar to finish and a new story to think about. Too much, too much.

A big week for us with our podcast, On the Air with Powers Squared. David Petersen, the creator of Mouse Guard, was our guest for a little over two hours. If that seems long, I think we could have gone another hour but I thought two hours was long enough, not only for any listener/viewers but also for us. He was a great interview, very open and funny. You can still catch it on twitch and the audio is available as well. On Wednesday, the video will premiere on YouTube.

Busy week for me with reviews. My Barbie review was the Saturday Morning review on Trophy Unlocked and my review of Oppenheimer was published today. Sorry, it took us a little time to get to Barbenheimer, but life is complicated. We wanted to see Oppenheimer in 70 mm IMAX, but the theater we went to, the TCL Chinese's 70 mm projector failed. I used to really like the Chinese theater, but the last two times have been disappointing. We got free tickets, rather than a refund, but I'm not sure I can count on them to come through. Not sure what happened to the theater, but it's a shell of what it used to be.

I'm also finishing up another review for the blog, Find the Blackmailer, a definite B-movie from 1943.

I've begun working on the rewrite of the pilot script after receiving notes. And I actually had an idea for the book, a story involving one of the boys' friends, Steve. We've sorted of hinted he has a secret and now it gets revealed and it isn't good.

On the subject of Powers Squared, I've been making some updates to the website following some advice from a fellow and more successful creator, Russell Nohelty, whom I talked with at Comic-Con and followed up with post show. He pointed out that it is not apparent how to get a sample of the book, so I'm adding buttons on pages pointing how to do that, as well as where to buy and our weekly peek-of-the-week feature, which, while on the webpage, is sort of hidden under the More tab on the homepage.

I'm always open to making things better.

Well, that about does it for me. Keep writing and I'll see you again next week.

Sunday, August 6, 2023

A Week in Writing #468 - Starting to Feel Normal Again


Hope everyone is staying safe, and, of course, writing.

Well, two weeks out and I'm starting to feel normal again after Comic-Con. I hate the expression "getting back into the swing of things", though I'm pretty sure I've used it before. Let's just say I'm starting to feel normal again, good or bad, for what it's worth.

After writing last week that I hadn't worked on either Skylar or my new idea, I sat down and started working on a chapter for the new story. It's a bit of a fantasy chapter, so I don't think it will make it whole into the finished work but it was an idea I had to write down nonetheless. I worked on it off and on throughout the week and ended up writing about 3200 words. I may do another round of cleaning it up before getting back to Skylar, which I know I need to finish.

I also worked on the latest edition of The Hound Dogs' Howl and writing a piece on the M-Twins from the Marvel universe. Again, it's only available to enrollees at San Romero Community College, which you are free to enroll in.

I'll admit I was getting frustrated with the slow pace of pages for Powers Squared, but our artist turned in 7 and our colorist 8 this week, so I'm feeling a little better about things.

I've been reading Mouse Guard by David Petersen, as he will be our guest this Friday on our podcast, On the Air with Powers Squard on twitch.tv/powerssquared and later on YouTube. If you've never watched or listened to the podcast before, this might be one you don't want to miss.

Rounding out the updates on Powers Squared, I got feedback on the script and there is a lot to be done to make it better. Something else I want to look at this coming week.

For Trophy Unlocked, I'm currently working on a review for Blondie (1938). We haven't decided yet who will be writing it but we have a review to do for Barbie. Next weekend, we're finally going to see Oppenheimer so we want to do our own version of Barbenheimer when we do. Comic-Con sort of got us off as far as seeing movies when they first come out. I wanted to see Oppenheimer in IMAX and it wasn't until next weekend that opportunities and times worked out.

That may explain why my review of Mission: Impossible – Dead Reckoning Part One didn't appear on the blog until Saturday morning. Sunday saw Trevor's review of Teenage Mutant Ninja Turtles: Mutant Mayhem, a film we managed to see close to it's original release on Friday afternoon. The first review last week was also Trevor's Game Day review of Tron: Identity for the PC.

To round things out, I did manage a new query this week. I'm down to four "active" queries, which may lead me to redo the synopsis on the query letter and maybe even rewrite the start of the book to bring the action more to the forefront.

Well, that about does it for me. Keep writing and I'll see you next week.

Sunday, July 30, 2023

A Week in Writing #467 - Blame Comic-Con

Hope everyone is staying safe and, of course, writing.

I'm coming to you this week with hat in hand. This week didn't go as planned. I'm blaming an SDCC hangover, but I never seemed to get into the groove this week on practically anything. My brain would get pretty much instantly foggy when I got around to writing so rather than wear down the battery on the laptop, I put it back and sat in near inert stupor. Not a pleasant sight, let me tell you.

No surprise, there was no work on Skylar or even the new story idea I had.

By Thursday, I was awake enough to do some work on queries, including more research on possible agents; closing down three that had past expirations and managed to send one out before calling it a night. So far, no outward signs of rejection, so I'll take that as a maybe.

On the Powers Squared front, little has been happening. Our artist and colorist are supposed to turn in their work for the month on Monday, so nothing, thankfully, to review. We're several issues ahead on the writing so there's not much to do there, so there's a lot of waiting around.

We did talk a bit about SDCC during our Friday OAPS podcast (audio, video) in addition to catching up on the book. Paul also posted a video about the exclusives and signings, called SDCC 2023 Haul.

Speaking of podcasts, we've lined up David Petersen, the artist and creator of Mouse Guard for our August 11th show. We go live Fridays at 6 pm at twitch.tv/powerssquared. That might be one you'll want to see.

Actually wrote a new review for Trophy Unlocked: Mission: Impossible – Dead Reckoning Part One. Blame SDCC but our movie watching has been thrown off so we're sort of behind on new films. We're playing catch up. We haven't scheduled Barbie yet but the first showing we could make to Oppenheimer in 70mm IMAX isn't until 8/12 and then there's TMNT coming out this week as well.  Not sure when the MI review will come out but probably this week. And the DVR just gets fuller with B-movies.

The Saturday Morning Review was Trevor's for Alice in Wonderland (1951); we were a couple of days off of its New York premiere date which is why it seemed like the right time to post it.

I will have to do better next week.

Well, that about does it for me. I'll see back here next week.

Monday, July 24, 2023

A Week in Writing #466 - Report From the Front - SDCC 2023

Hope everyone is staying safe, and, of course, writing.

As promised last week, this week's blog is about San Diego Comic-Con 2023 and the panels I attended.

There are many reasons to go to SDCC and everyone has their own. Part of my reason for going is the Con itself and the atmosphere. This is a world I would deeply love to be more a part of. While Comic-Con is brutal with long days and short nights, it is over far too early for me. When Sunday comes, it is hard not to feel sad.

I enjoy panels like Cartoon Voices, which is pure entertainment and fun. I would recommend it to anyone who goes to the Con. Even if you don't know all the players, you should have a good time. I also attended the Mega64 20th Anniversary panel, which was interrupted by, what turned out to be, a false fire alarm.

And it was cool to meet some other creators as well. I made a point to find Russell Nohelty and ended up buying several of his books, though mostly the non-fiction ones. I also made a point of going to the White Ash Comics booth and meeting the creators, Charlie Stickley and Conor Farrell behind The Game, a comic I supported on Kickstarter. It took me until Sunday to say "Hi" to Don Nguyen in Artist's Alley.

One of my favorite times at this year's Comic-Con was about an hour we spent in the Professional Lounge talking with John Barber of Pan-Universal Galactic Worldwide on Thursday about what he was up to. It's times like that that make me feel like I belong in the community.

The other reason I go to Comic-Con is to attend panels that I hope will help with Powers Squared as well as our podcast.

The first one I attended was How to Get Press Coverage, run by Rik Offenberger from First Comics News. Now, believe it or not, I have gotten news coverage from this panel in the past, I may still again. The panelists included Ed Catto (Pop Culture Squad), Tim Chizmar (Fangoria), Michael Kingston (Headlock Comics), Alexander Raymond (Monstar Public Relations), Rob Salkowitz (Forbes), Francis Sky (First Comics News), J.C. Vaughn (Gemstone Publishing) and Josh Waldrop (Ultima Digital Media).

I'm not here to tell you how to write a good press release, but that's essential for most coverage. Their advice is to make it be about something that's going to happen soon, like in a month, and to include the What's it about; When is it coming out; and Where can it be bought. You should also include artwork if not a link to the book for them to review.

One of the suggestions is to make an event for yourself, like at a local library or comic book store.

There are news sites that are looking for stories about comic books and you should be nimble enough to take advantage when opportunity knocks, as when a news story takes place that either has something to do with your book or is referenced in it.

They also suggested talking to people that you support on Kickstarter.

Have an Electronic Press Kit (EPK) ready to go. Not that they suggested it but I think it might be good to have one that is general about your book and have ones that are about particular issues. You can send out links to a Dropbox to the EPK.

Ask others how they promote their work. They suggested that if you do, you'll find out what others do and don't.

One thing they mentioned is that it's okay to follow up on press releases. One of the panelists used the statistic that sales are usually made after seven attempts but most sales people give up after three.

The next panel I attended was The Pitching Hour, featuring Alison Haislip (Attack of the Show); Megan Bradner (Marvel TV); Kevin Avery (The Great North); Nyambi Nyambe (The Good Fight); Dan Fernandez (DC Comics); Eric Reid (WME); and Mark Bernardin (Picard).

If you've been reading this blog, you know that we're interested in trying to turn Powers Squared into an animated series, so this seemed like one of interest.

The panel apart from Reid from WME wasn't made up of people who buy pitches but rather people who have pitched.

A pitch should include things like: Why do you want to write this story?, a short summary of the story; Where the characters are going to be in a year or two.

They recommended that you: Find people who will believe in you; Don't follow trends; Stick to your vision; Never listen to Execs who turn you down.

They said that executives want to say "Yes" but it is easier for them to say "no" because it's less work for them. Yes, requires work from them.

Think about your story like an independent film.

They said you should have a document to leave behind; a pdf that you send to the person(s) you pitched to. It should include what your story is about. (Star Wars was used as an example here. It's about a boy who wants to leave the farm, doesn't know who he is but finds his destiny.)

The document should be about 15-20 pages and will become the show's Bible. Should include: Why me to tell the story? Why this is when the story should be told?, Where the Story came from; the characters; story including the Pilot and even seasons 1, 2 and 3.

Be seamless. The pitch should sound like you. Have confidence. Not everyone is good at both the pitch and the leave behind document.

You need a rep to get a pitch and need a script to get a rep. One recommendation was that the WGA has fellowships when you have a script. [On Hold during the strike].

I know financing is important to everyone, including myself, so I attended Kickstarting Comics in 2023 and Beyondhosted by Orina Leckert (Kickstarter’s head of publishing). The panel included Tom Akel (Rocketship Entertainment CEO & Publisher); Robert Napton (Legendary SVP of publishing); Dinesh Shamdashani (Bad Idea CEO); and Der-shing Helmer (Vault Comics managing editor).

One of the things they stressed was a Prelaunch Page for your Kickstarter.

One concept they discussed was that more deluxe product/pricing can allow you to make more money from fewer backers.

As far as a Kickstarter video goes, Orina pointed out that you'll lose viewers after a minute, so keep the videos short (less than a minute), but a video is not required.

Promotional tactics for your Kickstarter include Ad Spends (Facebook and social media); public relations, which should be free; and to look at what your contemporaries have done.

Variant covers should mean more promotion.

Stretch goals can cost you more money, but are also compelling to backers to help you raise more money so you need to find a balance.

They also pointed to the creator resources that are available on the Kickstarter website.

Having just finished our 200th episode of On the Air with Powers Squared, I thought perhaps there were things to learn at Podcasting 101which took place at the downtown library, slightly more than a hop and skip from the Convention Center. Hosted by Jonathan Eigen (Sagas and Sass), the panel also featured Tara Lynne (Geek Saga Entertainment), as well as two others not on the original description of the panel, Amin Javadi (House Manwoody) and Varun Gupta (Demon Slayer Podcast).

Promising at first, they had a list of topics, most of which are the basics of podcasting and I'll relate them to our own, since I'm unfamiliar with any of the panel's shows.

1) Choosing a topic: What is your podcast about? In the case of OAPS, our primary topic is comic books, Powers Squared, but also other books and creators.

2) Finding Host/Co-Hosts: That seemed easy for us. My son Paul and I co-host the show, though Trevor does appear from time to time. We've had a few shows where the artists behind the comic book have run the show without us. This happened on this past Friday night, when Julia Canon, Rachel Wells and Jen Moreno did their own show with Paul and I in San Diego. Watch it here when it goes up on YouTube on Wednesday.

3) Planning Episodes: Do you script them or do you wing them? For us it depends on the show and if we have a guest or not.

4) Recording Equipment: Self-explanatory. The one thing they recommended was a good headset. Though you will need a mike (they recommended a snowball if you're just starting out.) We have a mike, two lights and a green screen but we're also doing video at the same time.

5) How Often Do You Record: They seem to recommend once a week. OAPS goes live at 6pm every Friday night.

6) Editing Your Podcast: The rule of thumb for every hour of content it takes three hours to edit. Paul does some editing on the audio but the video goes up as is, with some exception.

7) Distributing: They listed Google Podcasts, iTunes, and Spotify, though as they noted other platforms will pick them up as well. OAPS starts on Podbean and then goes out to 10 other platforms, including the ones they named, as well as on our website: https://powerssquaredcomicbook.com/oaps

8) Promoting Your Podcast; and 9) Monetizing You Podcast: They were running out of time and decided to put these two last topics together, basically skipping over 8) in favor of 9). Of course, I was most interested in 8), the reason I sat through this panel in the first place. So, I'm coming away with nada on this. We're always looking for how to get the word out.

The last work-related panel I attended was Small Press Publishing 101. Again, this one took place outside the convention center at the Omni Hotel. I was going in part because Gamal Hennessey was going to be on the panel. I backed his original Kickstarter and we've had Gamal on the show. From Gamal's introduction, he only found out he was doing the panel because he searched his name in the online program. He was hoping to talk to the host at the panel to find out what he was supposed to talk about, but as it turns out Gamal was the only one to show.

He is more than capable of talking about this topic. He broke making a comic book down to three major steps:

1) Pre-production: What is Your Story about? Figuring out who the Ideal Reader of your book is and how to reach them. This involves having an idea and finding an audience to read it. This includes the demographics of your reader (sex, gender, race, etc.); Their psychographics, or how they see the world; the genre of the book; Generations or age category of your reader; and format of the book: print or digital.

[Editor's Note: we did what he doesn't recommend doing, and started making a comic book without knowing who the audience would be for it. Don't do it that way.]

Where is the money going to come from, as in who is going to pay to produce the book? Gamal pointed out a lot of that has to do with your relationship to the IP. If you're the owner, then you must figure out if it comes out of your pocket or some form of crowdfunding. If you're doing something freelance, then someone should be paying you.

Who is going to do the parts you cannot do, as in if you're a writer, who is going to do the art and vice-versa? And art is usually more than one person. Gamal listed out: Artist, Inker, colorist, letterer, and production designer.

You also should have an accountant and an attorney, at least according to Gamal.

The final ingredient in your production team is the editor who can change the grand vision of the book to fit with who is going to read your book.

2) Production: The actual putting together the book from writing to art.

3) Distribution: Digital or print or both. You can self-distribute or you can try to get your book into stores using one of three distributors: Diamond, Lunar or Simon & Schuster. If you get say Diamond to distribute your book, they do it on consignment. After publishing the title in the Preview publication, Diamond will then tell you to send them so many books. Ideally, they would go from your printer to the Diamond warehouse. He warned against using a Chinese printer, which is a fairly popular choice, due to the extra time it takes and the added steps involved, including shipping. You might remember a year or so ago when there were ships waiting to be unloaded.

Digital takes less to get going, as you already should have your finished project formatted.

He recommended that you buy his book The Business of Independent Comic Book Publishing in a digital format so it would be easier to search for topics. He also has an online community of comic book creators called Comics Connection, which he also recommended as there have been changes in the industry not covered in his book.

In response to a question asked in the audience about licensing, Gamal broke down the questions that you should be asked:

What is the property?

Where are they going to sell it?

How long are they going to sell it?

How much are they going to charge for it?

You should ask for a 20% minimum guarantee upfront with a quarterly royalty report and an audit provision. If they are under reporting/paying then they should have to pay a penalty and for the auditor.

You also want to know if the license is exclusive or non-exclusive. An exclusive license should be more expensive than an non-exclusive one.

As far as your business, he recommended an LLC or Limited Liability Company. That way if there are any monetary issues, they are attached to your company not you personally. With a partnership, they are attached to the business and to you personally as well.

Well, that about does it for me. Keep writing and I'll see you next week.

Sunday, July 16, 2023

A Week in Writing #465 - Blame This Week on Me

Hope everyone is staying safe, and, of course, writing.

Every Sunday I sit down at my computer and try to think of what I've done or, more likely the case, haven't done to move my writing career, if you can call it that, forward. This week seems to be the case of the haven't dones and didn't dos.

As an example, I didn't send out a query again this week. I'm not sure why this time but I'm sure if I really think hard I could come up with a really great excuse. But in reality, there isn't one. I failed, even though I promised I would. Forgive me?

Not much to report on the Powers Squared front except to say that our Friday On the Air with Powers Squared was our 200th. We got a badge from PodBean to prove it. As monumental as that is, showing I guess what could be called stick-to-itiveness, we didn't really celebrate it on the show. Instead, we did the show about our expectations for next week's San Diego Comic-Con. As you're no doubt aware there are strikes by the WGA and SAG-AFTRA that will have an impact but there is really a lot of stuff to see and do. I will, of course, be reporting all this next Monday in a Report from the Front. That's right, no blog post on Sunday. I'll just be happy to have made it home by then.

I should take a moment hear to mention all the hard work that does go into the podcast and want to thank my son Paul, who has co-hosted from the beginning. I don't think it would ever make it air without him. Trevor has been a frequent guest, but Paul has been the mainstay.

We've had some great guests on, including many from our creative team include Rachel Wells, Julia Canon and the recent addition of Jen Moreno. One thing I've enjoyed is meeting other creators and people in the industry and we look forward to having more people like that on the show. And, of course, the people that listen, download and/or watch the show are really the best. It's those who keep us doing it.

Found out that our colorist is streaming her work on the book on twitch. I don't know if there's a schedule but you can check it out at https://www.twitch.tv/kskart. And there is a link on the SRCC page on the website.

I also wrote out some concepts for possible episodes for a Powers Squared show. But I'm waiting to hear back on the script before geting too excited. I figure that feedback isn't coming until after Comic-Con. Everything else sort of stops until after that's over. Right now this is an exercise in the what could be not the what is.

The Saturday Morning Review this week on Trophy Unlocked was mine for Snowglobe, a 2007 TV Movie that starred Christina Milian. Blame it on Hallmark, who invented the concept of Chirstmas in July, which is why we selected this Christmas film to feature. Next week, we're continunig with another Milian Christmas-starrer, A Snow Globe Christmas.

I'm working on a review now for Murder in a Private Car (1934). This was a more recent addition to the DVR so it was all actually still there. As always, not sure when it will appear on the blog.

To continue with the didn't dos for the week, I didn't write anymore on Skylar, but I did work a couple of nights on the new story idea.

Okay, the next week doesn't promise to be productive as far as the word count goes. After Tuesday, I'll be at the Con and writing doesn't fit in considering the schedule.

So, that about does it for me. Keep writing and I'll see you next on the 24th.