Hope everyone is well, and, of course, writing.
The first came in early in the week, and was a bit of a form:
Thank you for the opportunity to read your submission, which we have carefully considered but decided to decline. Unfortunately, due to the volume of queries we receive, we are unable to reply with individual feedback.We hope you will not be discouraged by this reply, as this is a subjective business, and other agents will likely feel differently. We wish you the best in finding the right match for your work. If, however, you end up ing a new project in the future, we would of course be happy to consider it.With warm regards,
The second was from the agent I queried on Thursday night, I received that on Friday afternoon:
Thanks for writing me. This sounds like a viable idea, but a bit too ‘genre. For my small list which means a bit more to the literary rather than the commercial.since you’re thinking down the road for series potential, I think you’d be better served working with an agent who’s a better March - best of luck in your continuing search.
I'm presenting as the agents sent it, without edits. I think the agent meant "March" to be "match" but it does seem to indicate that this wasn't a form, which I do appreciate, despite the rejection.
To top things off, I also DNRed another one after the time period to hear back, if I was going to, had expired. If you're counting, I have four out there for Broken People.
What do they say, that you have to keep pitching but sometimes it seems futile.
No new review this week for me. I had intended to write one for Out Yonder, a silent film starring Olive Thomas. I had read Laini Giles' The Forgotten Flapper: A Novel of Olive Thomas which I enjoyed and I was looking to actually seeing the actress at work. When I saw that TCM was showing it, I set it to record. The time frame given was 45 minutes and that was what was recorded. I had read that the film was over an hour but I figured that maybe it was a shortened "all we could find" version. Too bad for me, the film is 20 minutes longer. Imagine my surprise in the middle of a dramatic scene it cut off. I'll admit that I hadn't tried to HBOMax but this wasn't one of the films I could watch on TCM as Catchup and the only viewable version was the Dutch one from which TCM's version had been restored with new interstitials in English. Since I didn't see how it ended, I put it down to a lost cause, at least for now.
I did have two reviews this week on Trophy Unlocked. The Saturday Morning review was Elvis, as the blog plays catch up for the year. I also had a review up on Monday, as last week was Pinocchio week. We started off with my review of the original Disney film, followed on Wednesday by Trevor's review of the 2022 Disney live-action remake, and Paul reviewed the new Guillermo del Toro version, also 2022, which we saw in the theater prior to its Netflix premiere, for Friday. Busy week on the blog.
On Powers Squared news, we're getting ready for our panel at L.A. Comic-Con on December 4th. The below graphic, done by Don Nguyen gives you the details of the time and place. If you're going to be at LA Comic-Con, I hope you'll come by and see us.
More pages from our artist on her last issue, #23, for us.
On this week's On the Air with Powers Squared, we had our third Comic Book Club meeting on Friday, discussing Lore Olympus by Rachel Smythe. You can listen here, if you're interested. Next January, we're going to discuss Locke and Key.
Some more work on fka Skylar but not really enough to mention. Sorry about that but some weeks are harder than others.
Speaking of hard weeks, with Thanksgiving next week, I don't know how much I'll get done. But I will be trying. More on that next Sunday.
Well, that about does it for me. Keep writing and I'll see you next week.