I hope everyone is staying safe and, of course, writing.
Let me start with a plug: Powers Squared Issue #10, What's in a Name? Part 1, releases on Wednesday, November 25th. If you're reading this, I would really appreciate the support. Issues are available in print and digital and links will be live on the day of release at the website's new Campus Store. There is also going to be a Black Friday Sale at artithmeric.com for a week. You can get 25% off by using the code BLACKFRIDAY. If you've ever thought about buying an issue of the comic book I write about each week, then this would be a golden time to do it.
I don't know about you, but some days are more successful than others when it comes to writing. This week, Thursday sticks out as a particularly busy day. As with most weeks it seems, it starts with Powers Squared.
It began in the morning, when I received an email from the US Copyright Office, in effect, denying our request to update the copyright. It wasn't so much that we couldn't but the mechanism the Copyright Office had told us to do it turned out to be wrong. I don't mind re-doing the claim, with the right instructions, but I was resisted to losing the $200 fee they charged me to make the revised claim, since I was working off their instructions. To their credit, the agent I was working with has offered to see if the fee can be refunded, so that's still up in the air.
During the day, we received pages from Rachel; pencils for the last four pages of Issue #16 as well as the cover. Paul and I did sit down and review after dinner. These sessions don't usually last very long but there are usually comments which are sent back to her and that night was no exception. Nothing really major mind you; all minor. I was reminded with getting Issue #10 ready for ComiXology that they didn't like the cover having a border. I've had to make adjustments and since I'm making changes months after the issue has been drawn, colored, and lettered, I have to be careful not to go outside the margins so to speak. Don't know if you've ever published a comic book, but print versions have margin and trim spaces. I don't think making that change or any of the changes we asked for were necessarily difficult since the next morning, she had the changes ready to go.
That night, I had some things to take care of with posting the new issue of Powers Squared on IndyPlanet. It consisted of adding preview pages. Earlier I had a question about the page count and I still have a question about whether or not one of the covers (we have two this time) can be print only; IndyPlanet offers both print and digital. That question is still outstanding. We're good either way but it would be good to know.
I then made the edits on the next script for Powers Squared, a sort of Metal Gear homage, tentatively called Mission: Istanistan. I was making updates Paul had suggested and I also moved one panel to the previous page. Again, nothing too hard.
I then worked out some talking points for our OAPS podcast. We had Kathryn Calamia on. She currently has a Kickstarter going for her comic book Like Father, Like Daughter. I had met her through a Facebook post in which she was looking for indie comics to use as tier rewards. I thought letting her use Issue #1 of Powers Squared might find us some new readers. I asked her to be on our show but I wanted us to prep for her. The actual interview took place the next evening and you can watch or listen to the show through links you can find here. I think the show went pretty well.
Next, I sent a query letter out for Broken People, trying to keep to my one-a-week goal. I had found this particular agent on QueryTracker as someone "new" that week. It was a bit of a gamble. QueryTracker shows she represents Crime Fiction, which is what I'm hawking, but the agency's website stated True Crime, but I thought it was worth a chance and a new assistant agent might be wanting to build a list.
Well, I was wrong. I sent the query at about 9:40 pm on Thursday and by 1:30 in the afternoon, I was rejected. "Thank you for your query, but unfortunately, I don't think this is a fit for me. I appreciate your getting in touch, though, and wish you the best with this project." Not the most informative of rejections but they rarely are. I don't think it has anything to do with the actual writing, since I didn't send any samples. The instructions on the agency's websites only asked for a query letter.
I'll give the agent credit for being quick. The rejection was sort of like ripping off a bandage. Painful, as always, but quick and over with. So if you're keeping track at home, that's four sent and one rejection. And now I need to send out two more.
I finished that night off with some writing and updates on Skylar, the most recent manuscript I'm working on. I'm reimagining some of what I had written to get to the action quicker and to introduce characters more judiciously.
Not a typical day but you sort of get a sense of what I'm up to; divided in all sorts of ways.
I would be remiss not to mention my Saturday Morning Review on Trophy Unlocked, Scene of the Crime; part of our Noirvember celebration. This was also My Little Pony week on Trophy Unlocked with five reviews featuring My Little Pony: Equestria Girls; My Little Pony: Equestria Girls - Rainbow Rocks; My Little Pony: Equestria Girls - Friendship Games; My Little Pony: Equestria Girls - Legend of Everfree; and My Little Pony: The Movie (2017). Those reviews were written by Paul and Trevor, so check them out, too.
Well, that about does it for me. Keep writing and I'll see you next week.
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